You can’t accuse OnK of being a no-frills production.
This was definitely a calmer episode than last week’s. Nobody got killed, even. But we’re still in the ramp-up to something big and bloody here, it seems likely. The production of “15-Year Lie” is gathering steam. And a risky one it is – as producer Kaburagi is only too willing to remind director Gotanda every chance he gets. There’s a little discourse here about the production committee process – again, it’s hard not to imagine Akasaka is talking about anime as much as how films are made. And ample reminders of how getting anything produced here is a series of compromises.
Akasaka is, as always, good at deconstructing how all this stuff works. It’s only when he starts excusing all the shit he portrays that he gets into trouble, but that’s for later. Kaburagi knows all the right people to get this thing moving despite its third-rail qualities, but he has very clear ideas about what has to happen to make it work. He wants a big star for the lead, and the one he originally had in mind is unavailable (obviously). His second choice is Shiranui Frill, who’s someone we’ve actually met before. But not since all the way back in Episode 4 – she’s a classmate of Ruby’s.
Kana and Aqua are back on cordial terms, if that term can ever be applied to him. Kana actually doesn’t realize he and Akane have split up until Aqua spills the beans. But he’s adamant to Mem-cho that he has no interest in wading back into romance. And given what he’s planning that makes perfect sense. Aqua gets a visit from Tsukoyomi – the freaky kid with the crows who’s presumably some sort of supernatural entity – while he’s visiting Ai’s grave. This still feels a little discordant, though I suppose given the premise of the plot it really shouldn’t.
The overall key moment of the episode comes when Gotanda runs into Ruby (out terrorizing cats while avoiding her brother) on his way to the agency. This sort of sets a lot of things in motion. Gotanda becomes obsessed with the idea of casting Ruby as Ai (Kaburagi continues to insist on Frill). He also realizes Ruby is unaware of the “video letter” DVDs Ai left behind for her and Aqua. And unless I’m seriously mistaken this is the first we’ve heard about those (I’d hope I’d remember something like that). Whatever she said in those letters it seems to have helped propel Aqua to embrace his current plan. And why does Aqua know about them and not Ruby?
As for Frill, she explains the sitch to Ruby – ie., a big name like her doesn’t have to audition for roles. But Frill declares that she doesn’t like feeling like she’s not being cast on merit, and suggests that she and Ruby have a “showdown” – a private audition, with the losing pulling out of contention for the Ai role. Akane is invited too – she’s the “B”, presumably, who’d normally get first refusal if Frill passed. I find this development pretty far-fetched if I’m honest – starting with Frill’s attitude. It feels like drama (both literally and otherwise) for its own sake. But it’s an excuse to keep Akane on the front burner story-wise, and for Ruby to show whether she has any chops as an actor.
Also, the tarantulas. Obviously.





















































Vance
March 14, 2026 at 7:35 amEnzo, personally, I don’t find this development far-fetched if you were paying attention the entire episode. Kana has an inferiority complex to an extent that she gained from childhood when she realized that a lot of the times actresses aren’t chosen on merit. If Frill is self-confident and believes the one best-suited to the role should get it, I can believe why she set up this pseudo audition to force herself and Akane out of the running even if it happened to be necessary for plot purposes, but there’s more to it than that.
This is backed by what Frill said earlier in the episode, that sometimes a big-name actress is the reason for a project’s failure, and so she probably has her own self-interest in mind that accepting a role not suited to her could hurt her brand. She has read the script while Akane and Ruby haven’t, so she may have seen Ruby become increasingly jaded and was a past fan of Ai herself, leading to her deliberately pushing Ruby to get the lead role.
abc
March 15, 2026 at 11:36 amI’ve been thinking for a few weeks now, about how Akasaka takes a (mostly?) realistic approach to show us how the sausage is made, pointing out some of the less pleasant parts of the industry. And then whiplashes us with a complete fantasy where everything is solved through the power of friendship and idealism — if only the scumbag director tried making his own cosplay!
It doesn’t excuse the writing, but after reflecting on it, I can, just almost, see where he’s coming from. Not to trauma dump, but I spent many years in grad school and academia before it spat me out, and even though there were ugly parts, some small part of me still foolishly clings to the good moments and idealistic dreams of pursuing knowledge, and I’d be lying if I said I didn’t miss academia at all.
So, I could see someone recognizing the flaws of and criticizing the entertainment industry, but still believe (or cling onto the hope) that it’s worth one’s dreams.
I don’t like criticizing an author’s personal character or motivations (Akasaka _is_ part of the industry, is successful, and presumably doesn’t want to rock the boat), so I’ll just end this by criticizing the writing instead: it’s so frustrating and superficial to pull off these tonal whiplashes of “the industry is flawed but we can save the day if we remember why we’re in this together,” and it’s pretty clear that the industry story arcs are only to service the main thriller/revenge plot.
Rasu
March 16, 2026 at 4:45 pmAqua mentioned a video tape back then in the first season, but he never said it was supposed to be two of them until now.
We watched one at the end of episode one, though. Who knows if that one was Ruby’s