Planet With – 06

Planet With is certainly delivering the goods.  Yes, my expectations were very high for this series – and they’re being met – but I think sometimes we use “expectations” and “hopes” interchangeably when their meaning is very different.  With Mizukami Satoshi writing this is what I genuinely expected – it wasn’t just a matter of hoping for the best.  He’s certainly touched on the emerging central themes of this show in his prior works, but genre-wise this is pretty much new ground for Mizukami – and I can only hope there’s more mecha anime in his future.  He’s revitalizing a sometimes-tired genre like a cortisone shot.

Indeed, there was only one real off note this week, and given that exposition by explanation is one of my buttons, I’d be remiss in not pointing it out.  The Generalissimo’s monologue was oddly clumsy by Planet With standards, but it was at least contained within an altogether wonderful sequence by Wakamoto-san (his “I’m sick of this, let me talk directly!” was my favorite part of it) .  Wakamoto has this way about him, where after hearing him voice a character you can’t imagine anyone else doing it – and he and Koyama Rikiya (who’s emitting some of the most emotive and information-packed “Nyan!” in anime history) riffing on these characters is one of the unmitigated delights of Planet With.

Where the real brilliance of this series lies, I think, is in having packed such a monstrous amount of content into six episodes without ever having seemed rushed.  That applies both to plot and intellectual content, and indeed there’s been more than enough already for an entire series – and this one is only half over.  I don’t know where it’s going to go from here, though my guess is into the past – that’s a technique Mizukami has used before.  The short-term conflict on Earth has been resolved – Paladin is defeated and the power of the dragon dispersed.  But that wasn’t the real conflict, just the distraction, and the key to what the future holds for Earth probably lies in Souya’s past (which means Sirius).

Of the two cliffhanger battles which capped last week’s episode, one ended fairly quickly – Souya dispatched Takezou with relative ease.  Indeed the most important moment of this fight came not in the fight itself, but the aftermath, when the old man gave the boy a message (which Souya will later hilariously mangle) for his son: “Being able to endure the unfairness of the world and still remain kind is a more noble thing than justice.”  It’s something of a house specialty for Mizukami to toss off startlingly profound one-liners as if they were casual asides, but the heart of the story is largely encompassed by this one.  Justice is a siren’t song, a mirage that lures the strong down the path of oppression.

Just like that, Takezou and Yousuke-kun gladly hand over their vials to Souya, and Paladin is no more – they’ve clearly seen the hollowness of their cause.  But the other showdown is still very much engaged, and it’s not simply a matter of the Generalissimo and Shiraishi facing Takashi in mech warfare.  This is battle of sweeping philosophies, of world views – Takashi’s “justice to the strong” and the Sealing Faction’s warped manifest destiny.  The funny thing here is that the criticisms each combatant levels against the other are spot-on – both their governing models are seriously fucked up.  Colonialism and lobotomization vs. a dictatorship of personal ideology – no matter which side wins, the Earth is screwed.

Of course, Wan-kamoto-san ends up kicking the can down the road, sending the dragon through a short warp and bugging out to orbit (there to watch events unfold while doing a Gainex pose) he lets Sensei, Souya and Ginko deal with the problem.  That’s fine with Souya in the sense that he still seeks revenge for what happened to his planet, even though it’s still not totally clear how Takashi is related to the dragon that committed that atrocity.  That dragon was sentenced to banishment to a hole in space (read: death) for destroying Sirius before the Sealing Faction could suppress it – is Takashi its reincarnation, as the Generalissimo says, or is something else going on here?  It’s also interesting to note that the destruction of Sirius must have happened quite some time ago – which means Souya-kun either slept for a long time or is a lot older than he looks.

This is one hell of a fight, with both sides pretty much putting all they have (Kitarou himself would be proud of Souya’s finishing move) into it (including Ginko joining Souya inside Sensei), but again, the best part is the aftermath.  Souya’s reaction to what happens reveals the truth of it – for all his talk of revenge, he’s no killer.  What he wants to be is a protector, not a murderer, no matter how “warlike” the Siriusians supposedly were.  And in his own mind, Souya had no intention of killing Takashi – but it does seem as if he died, perhaps as a result of using up all of his dragon power.  If his Paladins were bolstered by a vial of the dragon’s power, Takashi seems to have literally been a creature of that power.

There is a way to a Mizukami story, a meticulous sense of one step leading to the next with a destination clearly in mind.  Usually we can’t see what that destination is until we’ve almost arrived, and often – as is the case with Planet With right now – it’s impossible even to guess the next step with certainty.  The conflicts are always collisions of opposing sets of ideals, and that certainly seems to be the case here – and I suspect Souya is going to have to find pieces of the truth in each of those competing ideals and decide for himself what his own truth is.

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10 comments

  1. J

    This arc actually played out rather differently to how I expected it, but then again given the man behind it I’m not surprised anymore – and overall, Paladin Break has once again been a good ride. That being said, given yesterday’s tweet from the director about how the next three episodes are going to get even more wild, tears included… I think I should probably brace myself for the coming episode already, just in case.

    In general there’s been a lot of things to like again this week and last, both smaller and larger things, but my personal favorite (besides the clog punch and Souya messing up the message from Takezo) would probably be that moment when Wan-kamoto’s mech was doing the Gainax pose while standing on top of the Wan-kamoto spaceship in space (and that one also did the Gainax pose). That was so very much tongue-in-cheek there, and if there’s ever been any doubt that Mizukami liked the old Gainax (not that there’s ever been too much doubt if one ever read Samidare), then those are definitely put to rest there. Also, I’m absolutely loving that Wan-kamoto nickname, probably my favorite right next to Wakamotorcycle from Cromartie, haha.

  2. Yes, a very classic tongue-in-cheek Mizukami moment I should have noted right there.

    https://lostinanime.com/wp-content/uploads/2018/08/Planet-With-06-18.jpg

  3. D

    I’m typically a fan of Mizukami’s work, but I’m not feeling this show at all. It seems incredibly rushed, with all too much mecha fighting and much too little character development. While I don’t think it’s awful by any means, it’s also not anything special, which is a huge disappointment. Maybe his writing works better on the page, than animated?

  4. Not to me, but we have have our own take.

  5. T

    Now that I’ve fully come around to Planet With (I was sort of barely liking it before, but now I’m 100% sold), I have my own take to it as well.

    I’m not familiar with Mizukami’s work beyond this show, and I guess that’s for the best in my case. Planet With, like Enzo said, is doing a great service to mecha anime, taking it back to places it used to go and that made it shine. IMO it’s also doing a great service to anime itself – I sure hope more people are paying attention to this show, because we desperately need the anime industry to realize that the only way to recapture the zany but sincere spark of genius that certain works of the past still have is not by trying to extend them (Production IG…) but to make brand new things, in unusual ways, and from the heart. Planet With certainly has its “derivative” side, but you can tell it’s out of love, respect, and tribute instead of marketing, marketing, and more marketing.

    And also, if more people pay attention to this show, more Mizukami works might get adapted. Maybe also with the help of the eager author in charge of the storyboards again. Wouldn’t that be great?

  6. “From the heart” is a big part of the Mizukami recipe for success. Everything he writes is sincere and emotionally honest, but (I suspect since this is his first anime) I don’t think he’s ever written anything that so eloquently expressed love for a genre or medium (though Biscuit Hammer is a love letter to Gainax, to be sure).

    Seeing stuff like what happened with Fujita’s manga and what M3 is trying to do with Pluto does give me hope. If there’s a powerful enough producer out there who’s a big enough Mizukami fan, stuff can happen even if it’s not going to make money. As to Planet With being a commercial success and convincing anybody, though, that seems like a long shot to me.

  7. S

    I’m starting to love this series for what it is.

  8. T

    “Justice is a siren’s song, a mirage that lures the strong down the path of oppression.” Isn’t that the truth? And so often justice is an excuse for the strong to harm the weak…

    “Souya’s reaction to what happens reveals the truth of it – for all his talk of revenge, he’s no killer.” That moment blew me away. Moments like that are why I watch anime!

    Like TheYepMan, I don’t know Mizukami’s work, either. I’m starting to think I should fix that!

  9. With extreme prejudice.

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