Wandance – 10

After ten episodes, I can definitely state that the whole thing with the dance sequences is clear as a bell to me. The dancers themselves – in isolation – are fine. Sometimes really good, even. It’s when we have to look at anybody else that we have a problem. As such I try to laser focus on the dancers themselves, though the shot composition sometimes makes that pretty difficult. If it could all look like the ED we’d be happy as pigs in slop, but it doesn’t. So there’s no choice but to make the best of it.

And that’s definitely something worth doing, because the rest of Wandance is totally working for me. Even the dancing, which – irrespective of the animation – was not an element of the series that much interested me going in. As so often happens with anime I’m getting drawn into the minutiae of it (as with karuta, or ballet). You can geek out over anything, and since I’m a geek at heart that appeals to me. And the fact is, as long as it’s well-written it’s fun watching young kids be wildly enthusiastic about something. Dance included.

It’s dance battle time. The dance battle inter-high, basically (and who know such a thing existed). It takes place in a club, with a DJ and three judges. One of them is Assay, who we already know of course, and Iori expresses confidence in the wisdom of all three. It’s worth remembering that Iori is the only one of the core four with real battle experience. Wanda and Kabo are rookies generally and while I’d guess On has danced a few battles, Iori has made it clear that’s not really her scene. The competitors are divided into four blocks, each of whom will form a cypher (woo-hoo, new vocab). The judges will choose four from every block to move on to the finals, which are match-play (where if neither dance wants to go first, it’s decided by “spin the bottle”).

Confession time: I’m developing a bit of a man-crush on Iori. He’s such a cool cat – great character design, for starters. He’s got an awesome laid-back warm personality, and has turned into a spectacularly good mentor for Kabo. But – and the importance of this can’t be overstated – he’s also the most interesting dancer of the bunch for me. Kabe is incredibly athletic, Kabo has a barely-controlled manic energy, Wanda is pure Vogue Femme virtuosity, On is cheeky and whimsical. But there’s just something about the way Iori moves – I’m a neophyte so I can’t articulate it well, but he’s very liquid. He flows better than anyone else in the cast. somehow.

It’s no surprise that On and Iori (and Kabe) breeze through their blocks. Wanda, too – she’s already proven these moments aren’t too big for her, newbie or no. But for Kabo things don’t go smoothly. He gets thrown when he and another dancer (Wanda will later get Kabo’s revenge for him) step into the circle at the same time. He forgets to listen to the song, and has no feel for the beat when his turn does come. His turn is pretty much a debacle, and he doesn’t get the coveted pat on the shoulder. To rub salt in the wound when Usen, the kid from a rival school who complimented him at the group dance contest, tries to strike up a conversation with Kabo he totally freezes. And doesn’t even have his phone with the “stutter card” lock screen.

Fortunately for Kabo, there’s a “comeback round” – a kind of loser’s bracket where anyone who was cut can enter a last-chance cypher with one more spot available. Iori gives Kabo some sage advice not to get caught up in the rhythm of the try-hards and just be himself, and Kabo secures the precious spot. He’s still feeling a bit overawed by how easily this seems to come for Wanda, and when her turn comes for a one-on-one he finds himself jealous of the kid (the one from his block) who gets to dance with her. And get toasted by her

The first real headline showdown, though, is On’s battle with Usen. Usen is a bit of a goof, but his charm is contagious – he obviously enjoys the hell out of this, and that’s hard to resist. On battling is something Iori has been anticipating for a long time, and she doesn’t disappoint him. Her dance style is indeed fascinating – harder than Iori’s for me to get a grip on (no pun intended). It may be more elusive because she’s a freestyle dancer by trade, but there’s something compelling about it. She and Usen make an interesting contrast, and she seems to gain the upper hand in the first round. But Usen for all his jollity isn’t someone to be taken lightly (he’s the defending champ after all), and I expect this one to go down to the wire.

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5 comments

  1. c

    In this strange season, I find myself wanting to comment on this anime most. I probably think more deeply about Sanda, but most weeks I have little to add to the conversation. Kingdom engages me plenty, but we are still in such an early stage of this arc that I find myself eagerly reading your thoughts, but not quite ready to offer up my own.
    Then there is Wandance. This series is not breaking new ground in terms of character types or the overall arc of the series. Part of my engagement definitely comes from having a sensitive portrayal of a protagonist with a stutter. However, if the portrayal of this slice of the dance world was not compelling, I would not stay with it. Similar to you, Enzo, I do not have much to engagement in dance generally speaking, but I do find the actual dancing itself engaging (regardless of how shitty the CG models look at times). And our quartet of leads all intrigue me in different ways. I agree that Iori is probably the one that engages me the most. There is a lot of depth to him, but we only see the bits the come to the surface for Kabo to observe. Similarly, On has her own hopes and dreams. She is not just the all knowing senpai to lead of pair of Kabo and Wanda on their dance adventure. Wanda can be the most difficult as she can seem a bit too “dream girl” at times, but her backstory, while short, efficiently established why she cares about dance and why she connects with Kabo. I am happy the manga is easily available (at least in the US) on Kmanga, because I do not know that I will be ready to let this quartet go in a couple weeks.

  2. I think the core four are all keepers, even if Wanda might edge into MPDG territory. The writing (and adaptation) does a very good job of communicating Kabo’s frustration at having so much to say and being unable to say it. The other three all have enough mystery to them to be intriguing as well as likeable. We tend to have this ability as teenagers to have intense and powerful relationships with peers on one level while they remain almost total strangers to us on every other, and I think we see that with these four.

  3. c

    Agreed. Similar to work relationships, school relationships have a very clear container within which they exist. People can leave everything else behind and just exist in that almost liminal space. In a professional setting I have clear boundaries around the kind of relationships I form, and it is much more questionable and requires a lot more thought before pushing beyond them. School allows for a bit more so that it is not the rigid container of the professional world, but not quite as personal as home life. And it is easier to push into more intimate territory without the concerns of the more rigid power structures present in most professional spaces.
    Especially in high school when people are no longer quite children, but definitely not adults and their bodies are quite literally transforming from one to the other. It is not just a liminal space, but a liminal time. I feel like each of Wandance’s leads exemplifies that too. Of course part of the fun will be if/when these connections start to stretch beyond their current container.

  4. At this point, IMHO, anyone complaining about the 3D is just doing this on auto.
    For some episodes now I don’t even see the 3D anymore, I only she the characters moving.

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