3 comments

  1. r

    I thing that date with something to tell him might be a red herring. The whole spend time with him line makes it seem like she might have some other thing in mind that might reduce the time they can spend together.

  2. s

    Minami has been back in full force these past 2 episodes, and with that is a reminder of how cute and wholesome the show is, especially when she’s in the driver’s seat. It’s becoming clear what makes Minami such a contender (if not the only contender, if we’re being honest) for Tsubasas heart: it’s how much more affectionate she is compared to other ladies in the cast. For a guy like Tsubasa who has been implied to have had the home life he’s lived, it makes sense that he would be more reflexively (i.e subconsciously) drawn to the type of girl that Minami is as opposed to maybe someone like Rena, who more so fits his type on paper.

    Poor Sayuri; she’s such an adorable and good-natured person, and it makes sense that given the kind of person she is, she would grow romantic feelings for someone as open-minded and supportive as Tsubasa is; but alas, it truly does feel like a losing battle on her part. You can tell Sayuri just genuinely finds fulfilling comfort in how willing Tsubasa is to not only explore her interests, but to genuinely enjoy them as well. As established by her characterization in ep 3, you can see Sayuri express insecurities about the idea of people wholeheartedly wanting to interact with her interests: she questions why Tsubasa just doesn’t say “No” when people request things of him, more specifically to her, implying that she feels as if her requests may come off as pressuring to him; however, Tsubasa reassures her by telling her that you’ll never know whether or not you truly like something unless you give it an honest try, which only continues to deepen her appreciation for him…..poor Sayuri indeed.

    And again, props to how well the writing handles the interactions between the cast members, making sure to distinguish them in ways that feel meaningful and not just boiling them down to simple tropes, Minami especially. While these character are based on anime archetypes, the writing has done a good job also making them feel like legitimate teenagers, which is something high-school based anime seem to have trouble doing when playing with archetypes.

    With just two eps left, it looks like we’re building up to a romantic/wholesomely charged finale. This show probably won’t get a season 2 (though I could end up being wrong, of course), and if it doesn’t, I hope the finale does wrap up in a way that does give some sort of thematic closure. Whether or not this show succeeds enough to earn a continuation, I’m pleased to have given it a chance to demonstrate how much better it is than a large number of its subgenre siblings

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