Well, I think we have our answer to the “four seasons” question I posed after Episode 6. As Princess Usagi pointed out the Kanji in Tsubasa’s last name Shiki stand for “four” and “seasons”. And he said here that he liked spring the best. I think that pretty much establishes that rather than there being a “spring girl”, in fact the boy represents spring in the quadrangle. To the extent that we even have one, that is (which isn’t much of an extent in the romantic sense at least).
I grew up in a town that definitely has four seasons, Chicago (and don’t get me started on the Japanese “we’re the only country that has four seasons” delusion). And while Chicago winters are not as long, dark, and snowy as Kitami, I do kind of understand what Minami said about spring. In my memory it feels like it lasted for about a week right in-between freezing your plums off and sweating like a pig. For a kid who loves spring like Tsubasa, that can be a tough thing. It’s April and there’s still snow on the ground, and while Tokyo is in full bloom (it actually happens in late March as often as not now, thanks to climate change) in Kitami sakura won’t be dropping (by) until May.
I don’t quite understand why plum and peach blossoms, which come a month earlier than cherry everywhere else, don’t just show up in April in Hokkaido, but never mind. I suspect we’re going to get some sort of hanami episode next week, but for now the focus is on the start of the school year. And if there were any question Fuyuki-san (a winter girl) were back in the catbird seat, it’s quickly dispelled here. She waits for Tsubasa and walks him to school, and bemoans that she didn’t get to spend more time with him over the summer, a theme she keeps up all day. He’ll later accuse her of teasing, but she denies that and says she’s been dead serious all day.
Matsuo promptly nominates Tsubasa to be class president, which tracks, really. “He’s smart, he’ll be a team player”, all that – but Matsuo ties it together with “he’s from Tokyo”. As soon as Tsubasa is locked in (nobody in their right mind wants that gig), Minami immediately nominates herself to be veep. Just before Sayuri is about to do so, in fact – which symbolizes the dynamic of this series pretty well. And class business time is flirty time, with the two of them being the last two in the classroom (which she likes and he doesn’t).
One really does have to feel for Sayuri in all this. Rena is at least in with a puncher’s chance but Sayuri has been friendzoned hard. She’s Tsubasa’s pal, his gaming instructor, but of the three principals she’s the one he just doesn’t see as a girl, really. At some point you’d think this is going to break her a bit, trying to be positive all the time and protect her friendships with both of them (which she genuinely does value), all the while cursing her fortune at being so close to the boy she likes “that way” and not being able even to tell him.
There’s no such halter on Minami, though. And it seems very much as if she’s about to do just that, asking Tsubasa-kun to keep a day open for her on Golden Week (having a week off just after starting the school year will always be weird to me). She says has something she wants to tell him, we have two episodes left, and even with the manga ongoing I get the feeling her plan at least (we’ll see if she follows through) is to make her romantic intentions clear.
ruicarlov
March 13, 2024 at 12:03 amI thing that date with something to tell him might be a red herring. The whole spend time with him line makes it seem like she might have some other thing in mind that might reduce the time they can spend together.
sonicsenryaku
March 13, 2024 at 7:31 amMinami has been back in full force these past 2 episodes, and with that is a reminder of how cute and wholesome the show is, especially when she’s in the driver’s seat. It’s becoming clear what makes Minami such a contender (if not the only contender, if we’re being honest) for Tsubasas heart: it’s how much more affectionate she is compared to other ladies in the cast. For a guy like Tsubasa who has been implied to have had the home life he’s lived, it makes sense that he would be more reflexively (i.e subconsciously) drawn to the type of girl that Minami is as opposed to maybe someone like Rena, who more so fits his type on paper.
Poor Sayuri; she’s such an adorable and good-natured person, and it makes sense that given the kind of person she is, she would grow romantic feelings for someone as open-minded and supportive as Tsubasa is; but alas, it truly does feel like a losing battle on her part. You can tell Sayuri just genuinely finds fulfilling comfort in how willing Tsubasa is to not only explore her interests, but to genuinely enjoy them as well. As established by her characterization in ep 3, you can see Sayuri express insecurities about the idea of people wholeheartedly wanting to interact with her interests: she questions why Tsubasa just doesn’t say “No” when people request things of him, more specifically to her, implying that she feels as if her requests may come off as pressuring to him; however, Tsubasa reassures her by telling her that you’ll never know whether or not you truly like something unless you give it an honest try, which only continues to deepen her appreciation for him…..poor Sayuri indeed.
And again, props to how well the writing handles the interactions between the cast members, making sure to distinguish them in ways that feel meaningful and not just boiling them down to simple tropes, Minami especially. While these character are based on anime archetypes, the writing has done a good job also making them feel like legitimate teenagers, which is something high-school based anime seem to have trouble doing when playing with archetypes.
With just two eps left, it looks like we’re building up to a romantic/wholesomely charged finale. This show probably won’t get a season 2 (though I could end up being wrong, of course), and if it doesn’t, I hope the finale does wrap up in a way that does give some sort of thematic closure. Whether or not this show succeeds enough to earn a continuation, I’m pleased to have given it a chance to demonstrate how much better it is than a large number of its subgenre siblings