First Impressions – Shiroi Suna no Aquatope

The decline of P.A. Works gives me no pleasure, believe me.  I had a connection with the studio, much more so than with KyoAni, for many years.  Their look always appealed to me, and their focus on original series was a throwback to the glory days of Gainax and Gonzo (and early Bones too, mostly).  The director of  Shiroi Suna no Aquatope, Shinohara Toshiya, did one of the PAW shows I actually liked (though few others seemed to), Red Data Girl.  And writer Kaikhara Yuuko is an industry stalwart who penned one of the best originals in years, Tsuki ga Kirei.

The truth is, though, that this studio has jumped the shark.  They’ve become a kind of ouroboros of self-plagiarism to the point of unintentional self-parody.  The same elements recycle over and over.  Cute girl leads invariably 14-17, soft-core sexualized.  A generic girl power story.  Token male supporting characters.  Magical realism.  A picturesque non-Tokyo setting, usually a small city (this time around it’s Nanjou, Okinawa).  Often marine elements.  Even the PAW color palette and art design I once admired seems tired and recycled to me now.  It’s frankly really depressing.

To thr extent that it even matters, Aquatope seems to borrow most liberally from Nagi no Askura, which Shinohara also directed though as with any Okada-written show, she’s the name people remember.  That one was pretty good for a cour before totally jumping the shark, but I see no reason to think I’ll hold out that long here.  I was thoroughly bored by the ten-minute mark and nothing that happened in the episode struck me as remotely interesting.  And I like aquariums…

The problem here, I think, is both that I’ve changed as a viewer and PAW hasn’t changed as a studio.  Their recent work (with the notable exception of the Uchouten Kazoku franchise – for obvious reasons) has almost universally had the texture and flavor of Spam anime – pressed meat stuffed into a can, popping out exactly as people expect it every time.  If Pringles is your potato chip of choice the modern P.A. Works catalog may be for you.  I’ve eaten a few in my day but my preferred chip is a lot more irregular and misshapen, with a more interesting flavor.  I don’t see much chance Shiroi Suna no Aquatope has any surprises in store, unfortunately, so I suspect this is a one-and-done for me.

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5 comments

  1. R

    Hey now, I like pringles AND spam (especially in stir fry or spam musubis).

    Though I do agree that I don’t get through most of PA Works series very often with boredom being the #1 culprit. Though I still love their palette, but that’s basically an aesthetic thing more than anything else. I never get tired of the soft water colored shows.

  2. I like the palette too, but the sameness of these shows is just too much for me at this point.

  3. D

    In my minds eye PAW has become a mirror of KyoAni. If Kyoto mostly cashes in on cute girls (or boys) doing cute things, then P.A. is all about cute girls doing weird things. If they were a music group, I might’ve appreciated the consistency in their style and execution, but for a visual medium it just doesn’t work anymore. My mind simply drifts off.

  4. PAW and KyoAni have always been mirror studios to me. They represent studios with very strong stylistic signatures (so do Shaft and Trigger but it’s quite different there), who have a pretty insular corporate and creative culture. For a long time I was more aesthetically compatible with PAW, but the last few years they’ve just descended into their own burrow so much that unless they totally break mold (like Appare-Ranman, which isn’t that good but is at least different) I drift off by the first eyecatch. Like I said, spam anime.

  5. M

    Her hair really bugs me, the way it hangs down and criss-crosses perfectly between her eyes. I don’t know, it just looks dumb.

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