Gegege no Kitarou (2018) – 77

I don’t think there’s any question that Gegege no Kitarou 2018 made the right decision in keeping Nurarihyon in reserve until it was time for the final boss.  Above and beyond his obvious importance in both youkai and Mizuki mythology, in the expert hands of this creative team he frames everything that’s come before.  Nurarihyon represents a fundamental threat to everything Kitarou stands for – his existence and Kitarou’s are completely incompatible philosophically.  And that makes him a threat in a much more personal way than any of the big bads that have cone before.

The thing about Nurarihyon is, his message to youkai is immensely appealing.  As anyone who follows politics can tell you, a simple message – even a stupid and ludicrous one – is far more effective than a complicated one.  If you can make an anagram out of it and stick it on a hat you have a much easier job than the guy trying to sell nuance.  And everything in Kitarou’s way of dealing with the youkai-human divide is built around nuance.  What Nurarihyon is selling is an impossible dream – a return to a world that’s gone forever, like one where coal mines are profitable and “traditional values” rule the land.  But if you’re a youkai who’s seen their world gradually co-opted by humans, the appeal of that impossible dream is obvious.

Nurarihyon’s tool of dissension this time around (in addition to his usual hate-mongering in the human world) is Neko-sennin (Inaba Minoru, vet of the ’07 version).  He’s been imprisoned inside the “Cat Mound” for a few centuries, but Shu-no-Bon releases him – and he promptly sets about turning the humans of the nearest town into cats.  Some genuinely terrible humans among them to be certain, but some seemingly indiscriminate victims too.  And therein lies the essence of Nurarihyon’s plan.

What’s really insidious about this is that Nurarihyon seems to have taken dead aim at Kitarou here.  He’s intentionally trying to drive a wedge between Kitarou and his close friend, and it’s quite effective.  Neko-sennin’s defense of his actions is not falling on deaf ears with Neko-musume – or me.  There are people who treat cats terribly, and the commercial breeding and pet shop industry (this applies to dogs too) is a disgusting and shameful disgrace to humanity.  I have no sympathy for anyone who does to cats the things Neko-sennin describes here – and they’re all taken directly from real-life situations.

What’s real painful here is the aftermath of the confrontation – after Catchick has taken down Neko-sennin, despite her outrage over the atrocities he describes.  She appeals to Kitarou on an emotional level and he has no answer for her.  And when Nuraurihyon shows up and spins these events as an indictment of Kitarou’s entire worldview, he again has nothing to offer but silence.  This is the evil genius of Nurarihyon – he puts Kitarou in an absolute no-win situation, one where any attempt to explain his side would be a disaster.

Despite his self-deprecating manner and measured demeanor, Nurarihyon is surely a youkai of monumental power himself.  Yet so far we’ve seen him merely pulling strings – manipulating others to do his bidding and standing back to watch his handiwork play out.  One senses Kitarou would be more comfortable with a more conventional enemy, but that’s not what he has here.  He was someone who exposes all his own insecurities and uncertainties, and exploits them.  Nurarihyon is custom-built to foil Kitarou, and that makes him the sternest test this version of the character has faced.

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1 comment

  1. A

    Ah, classic Nurarihyon. Barging into someone’s house and acting like it’s his own. Though in this case it is kind of threatening.

    A difficult, depressing, and great episode. It really brings up the topic that I believe is happening not only in Japan. I’ve heard a bit of how animals are mistreated in Japan and I don’t want to look up further. In my country too, people are being cruel to animals, but mostly to dogs because of misinterpretation of religion, and I don’t even want to describe how horrifying the animal abuse can get. I think the issue that is bring up in this episode applies to all pets, not just animals. People treating animals as described by Neko-sennin is indeed a disgrace and disgusting. I may be afraid of dogs (because of personal trauma) but I still cannot accept people who treat dogs badly especially when they’re so faithful to their owners and did nothing wrong.

    Kitaro is really cornered here. He can’t even answer when Neko Musume pleaded for one, whether or not she should have saved the humans. Not only that, he cannot even defend himself when Nurarihyon and his youkai allies put him down and treated him like a traitor, and yes, as you said, even if Kitaro tried to defend himself it would only worsen the situation. This brings me back to the Youkai Trial episode back in Nanashi arc, when Kitaro was judged for the same reason, though this time seems to be more difficult than the previous one.

    I really like Nurarihyon in this version. Instead of being presented as an arrogant yet annoying youkai, this Nurarihyon acknowledges that he is not really good at fights, but he sure as hell is good at talking and manipulating, including Enma-Daio, which is something that Kitaro lacks. Not only that, Nurarihyon also has a great influence over youkais and can blend into humans as easily, and he also made his goal pretty clear. He is really presented as a threatening opponent to Kitaro who has everything that Kitaro doesn’t and challenges Kitaro’s viewpoint. I have a feeling that maybe Kitaro’s family will also be influenced by Nurarihyon, leaving only Kitaro and maybe Medama Oyaji and Mana to fight against Nurarihyon. It’s gonna be very difficult times for Kitaro ahead, with enemy like Nurarihyon. The latter ends up being a great villain and Akio Ohtsuka’s performance is pretty great.

    This is probably one of my favorite episodes in Nurarihyon arc, and we’re only two episodes into the arc! More great episodes to come, for sure.

    Thanks for the review as always.

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