Fruits Basket (2019) – 19

It’s been a wipeout for shounen today – will shoujo fare any better?  With as much carnage as Black Saturday has already produced, the last thing I want to do is drop a series I’m already committed to.  But it was another rough week for Fruits Basket 2019.  Another pretty insufferable character, another unfunny comedy episode, another sizeable regression from the series’ earlier highs.  It wasn’t the sort of episode that exactly fills you with optimism, but I have reasons to remain at least a little hopeful.

No question perceptions can change a lot after the better part of two decades, but what I’ve learned about Fruits Basket is that is has a very narrow strike zone.  It’s not very good at comedy, so the lightweight eps have generally not worked this time around.  It has a tendency towards saccharine self-indulgence, so the emotionally intense episodes can quickly devolve into the manipulative.  In sort, the tonal range in which it can succeed is extremely limited.  When it connects, it can be really special.  But that seems to be happening less and less in this version.

As ever, I can’t say for sure how much of this is the first anime being that much better and how much is my perspective changing (though less time has passed since I read the manga, it’s still been a good many years).  I truly, earnestly believe that Akitarou Daichi understood Furuba’s shortcomings and employed his skills as a director to mask them with considerable success.  But whether that’s true or not, with an adaptation as literally by-the-books as TMS’, the series has nowhere to hide.  We see whatever’s on the page, good and bad, warts and all.  And this was a pretty warty chapter.

Ritsu (Kawanishi Kengo), whose equally annoying mother we briefly met at the onsen, is – plainly – not a good character.  The whole cross-dressing thing is never a deception with Kawanishi doing the voice, and the nonstop apologizing is grating within the first 10 seconds.  Also the screaming editor being on-hand doesn’t help – that’s another weak stab at comedy that this version simply doesn’t have the chops to pull off.  It’s just frankly bad, pretty much all of it, and a chore to sit through for 22 minutes.

Next week should prove a real acid test, because it depicts a part of the first anime that was absolutely one of my favorites.  Things are being re-ordered a good bit (the first anime adapted the Ritsu chapter after the one that comes next week), but what we get next really, really should work based on the first anime and the manga – if it doesn’t that would be a very bad sign for this series’ prospects going forward.  My concern is really that I’ve lost the connection here after the past few episodes, and I’m just not going to get it back – but scary as it is, what’s coming next is going to answer that definitively one way or the other.

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5 comments

  1. K

    Actually thought this episode was much better than the first series version of it *shrugs*

  2. S

    I think Kyo or Yuki’s comment towards the end of this episode summed up the essence of this episode perfectly: ‘This is stupid’.

  3. S

    The Story probably won’t actually progress till season 2 . This first season looks to be just character introduction

  4. I am done with this show. There’s so little good stuff amongst the boring and over-melodramatic so far. Gave it so many chances to improve and show me something worthwhile occasionally to continue watching but time and time again, it just plods along. I have a lot of patience with shows to give them room to stretch and build a firm foundation but my patience has totally run out with this show.

  5. G

    This episode wasn’t much better in the original version, but it’s definitely one of the instances where the character could’ve been updated. As it is, considering that they’re going for a faithful adaptation of the source material, Ritsu is a very unfortunate character.

    They’re essentially coded as transwoman – they say they liked wearing woman’s clothes, that they were feeling better like this, so on and so forth… But to add insult to injury, not only is Ritsu a punching bag (as a sidenote, Shigure is despicable in this version, he was crass in the old one too, but here he’s shown plotting and scheming and, using Honda for ulterior reasons, abusing his PA to the brink of suicide – another theme which is played for laughs…), but their trans identity is treated like a quirk. Like, as soon as they’re going to get it together, they’re going to drop the kimonos and start wearing men clothing.

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