Dororo – 10

Dororo, in addition to being the best anime of the year so far (and the best since the start of 2018, probably), continues to be a fascinating mix of canon and original material.  I’m not sure I can remember too many adaptations that have done this kind of giant slalom narrative format, weaving back and forth between original and source content, and certainly not so seamlessly.  It’s not totally seamless, mind you – while the quality is pretty much consistent there is a subtle tonal difference that tips you off to which you’re watching.

Even not having read the entire manga I’ve been confident about what I was watching after every episode, and not been wrong yet – with only the third (“The Story of Jukai”) being a tough one to puzzle out.  There’s a reason why Furuhashi and Kobayashi have had to do this – Tezuka’s manga is itself a bit of a narrative jumble, full of fits and starts and basically unfinished at that.  But while some of the anime’s original material has felt marginally more episodic, there’s a strong sense that they’re casting a wide net, and that the second cour is going to focus on reeling it in.

I won’t say that Tahoumaru was the last strand of the net to be cast out, but it does strike me that he was the the biggest wild card left un-dealt.  He certainly remains that, but we certainly have a better grasp on him that we did before this episode.  He’s a wild card in the sense that it’s his loyalties that figure to be the most divided among anyone in the cast – his heart most agonizingly pulled in different directions.  And if that’s the case, we needed to learn a little more about what sort of heart it is before we could be fully engaged by his story.

The first thing one notes about Tahoumaru is that whatever happens from this point forward, he’s a victim in all this – or at the very least, he carries no culpability.  He’s the son of a powerful daimyo, obviously a bit imperious by nature, but also seemingly sensitive and bright.  And now, we know, both bold and brave.  Knowing something crucial and probably terrible was being hidden from him Tahoumaru couldn’t sit idly by and do nothing, so with the help of his retainers Mutsu and Hyogo (who seem to be siblings, with Mutsu’s gender being unclear) he gets some information from one of his father’s men – a man who even under the influence of a truth serum was trying to bite off his own tongue rather than reveal it.

Tahoumaru – privileged, resentful over his mother’s lack of love for him and his father’s overprotectiveness – could really have gone either way as a character.  But his reaction upon seeing his father’s men ignoring the pleas of a village under attack from a kaijuu was exactly what you would have hoped to see.  Too brash and confident and a bit reckless, maybe, but you can’t ask more from a lord than to be unwilling to sit idly by as his people beg for help.  His instincts seem to guide him in the right direction, and that may be very important later because he’ll need all the help he can get to stay on the path of light.

The beast in question is a bakemonogani, a monster crab so huge it generates its own whirlpools and sucks down men in boats, boats and all.  Again, I would call the lad’s decision-making a bit reckless here, but that Tahoumaru is courageous certainly can’t be called into doubt.  And I appreciated that he rejected Mutsu’s proposal to have someone pack their body with explosives and allow themselves to be eaten.  The plan he eventually comes up with – using a sluice to strand the crab after luring it into a narrow inlet on the lake – is pretty solid and eventually effective, though things got pretty hairy there for a bit.

What all this is building up to, of course, is Hyakkimaru arriving on the scene – which I was expecting but not totally convinced was going to happen.  Whether this youkai was one of Hyakkimaru’s demons I don’t know (he didn’t visibly get any body part returned to him), but attack he did when he saw the boatmen in trouble.  As of now Hyakkimaru is only a mysterious stranger as far as Tahoumaru is concerned – he hasn’t connected the dots yet.  But Daigo is getting ever closer to the truth, and Tahoumaru will certainly learn it soon enough.

We pretty much know what Daigo wants – but what will Tahoumaru do when that moment comes?  Will his loyalty to his father trump his essential nature, which seems to favor decency?  The boy we’re shown here would certainly be horrified to know what his father had done to achieve his power and wealth, but his sense of duty to his lord and father is clearly a powerful motivator for Tahoumaru.  It may be a while before he’s forced to make that decision, but the time will come – and what he’ll decide is one of the biggest mysteries of Dororo.

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6 comments

  1. Tahomaru will eventually have to face the question about, “The needs of the many outweigh the needs of the few, or the one,” when it comes what to do with Hyakkimaru when he realises the deal with the demons. For Tahomaru when he realises the full scope of what is happening, killing off Hyakkimaru is the most practical path – he eliminates the “problem” that is causing the deal to be rolled back ans securing the land, and eliminates a claimant to the fiefdom of his father. During that period, most anything goes. Killing off siblings who are competitors to inherit the title and land is par for the course. That said, killing off Hyakkimaru is not going to be easy.

  2. b

    I have to admit, I was a little surprised to see Tahomaru exhibit that level of martial skill against the crab, considering he likely hasn’t faced any demons or other dangerous battles before due to his upbringing. The eventual conflict between the long-lost brothers might not be as one-sided as I imagined lol.

    Also, while Hyakkimaru seemingly did not regain anything from the crab’s death, I saw one YouTube comment speculating that he might get his sense of taste back, given how Dororo was telling him about how tasty manju was early in the episode. Can’t wait for next week to see if that gets confirmed or debunked.

  3. Since the giant crab is located within Daigo’s lands I assumed it was one of the 48, especially since Tahoumaru makes a big thing about “this land used to be awful and you know how that changed? My father!” and the dramatic irony of Tahoumaru undoing a part of that would be too perfect. (also I thought there was a shot at the end indicating that another statue was cleaved?)

  4. O

    Anime is an art form, parallel to, and equal to movies. This series is so resolute and clean about that, it charms me and freshly wins me over every episode. I’m in awe of all things Dororo, and compare and contrast this version with the 1969 version when I am discussing ‘integrity in a business’ with my students. If this series can be so exquisite and delicious and bittersweet, what’s the cancer in the anime industry that keeps churning out unmitigated intellectual lint?! (That’s a rhetorical question.) Thank you for bringing this to my attention, Enzo. Thank you to all the other smart, enthusiastic anime and manga fans who meet here.

  5. Well, you’re certainly welcome. It occurs to me that this series probably started out its development life when Maruyama was still calling the shots at MAPPA. He’s basically set about making the final chapter of his life all about getting anime made as art for its own sake. He certainly saw the cancer you refer to, and determined to spend whatever time he had left being the antidote to that. He’s a goddam hero as far as I’m concerned.

  6. M

    I totally love Tahomaru here and how they expand his character. Honestly Tahomaru can go either way, and the OP seems to indicate he’s going to fight Hyakkimaru which make sense if he put his land above all, but I hope at least there will be a reunion between Hyakkimaru and his mother.

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