Second Impressions Digest – Gegege no Kitaro (2018), 3D Kanojo: Real Girl

Gegege no Kitato (2018) – 02

One of the things that’s kind of interesting about Gegege no Kitaro is that through all its many anime incarnations (and there have been six already in series) it’s aways changing.  While the essential nature of the story remains the same, details morph – and that’s above and beyond the attempts to contemporize it (last week scummy Youtubers, this week the idol mafia).  The characters themselves change, and with rare exceptions (like the one version where Kitaro was in his late teens) these changes tend to pretty subtle.

That was certainly true in the introduction of fan (and doujin) favorite Neko Musume this week.  She’s tended to be more abjectly crushing on Kitaro (and close to his size) but in the 2018 version, she’s several years older and a flat-out tsundere (if that was an attempt to be trendy, it would have fit better in the 2000’s version).  As such she not surprisingly sees Mana as an adversary (though the converse certainly isn’t the case).  And Mana has just saved Kitaro from the mysterious arrow we saw fired at the end of the first episode (which had a pentagram carved into the nock) by carrying him home (where she’s promptly abandoned).

The youkai of the week this time is a Miyage-nyudo, whose seal is released by Nezumi-otoko’s piss.  Ratman has always been one of the more outlandish characters in this bunch, and he certainly doesn’t disappoint here – using the gold the youkai gives him to buy out an idol broker (at Miyage-nyudo’s instruction).  The whole world domination plot is fun, but the fireworks in the episode come from Neko Musume (“Catchick” – seriously, CR?), who shows her claws in more ways than one.

All in all, this take on Gegege no Kitaro feels pretty fresh and lively, and I suspect I’ll stick with it at least for viewing purposes.  Blogging is a much higher bar given how intense my work schedule is about to become and how many series are on the schedule this season but we’ll see what happens.

 

3D Kanojo: Real Girl – 02

Real Girl remains a rather sweet and likeable romance take – not too slick or sophisticated in any way, but attractively guileless.  It’s basically impossibly to make an anime about a chaste otaku without it being seen as a self-insert to a certain extent (even if it’s a shoujo), but 3D Kanojo doesn’t play that angle too broadly.  As a result it comes off more as affectionate satire rather than snarky meta-humor.

There’s a lot of lying going on here, that’s for sure – and pretty much all of it by Iroha.  That makes her kind of interesting, especially as most of her lies come off making her look worse rather than better.  Is she really moving in six months?  Is the doctor she’s seeing really treating her for asthma, or does she actually have a serious illness – was the statement that this was a lie itself a lie?  Six months, doctor, serious illness – hmm…

Poor Hikari-kun is hopelessly – and believably – in over his head here.  Any girlfriend situation would have him mystified but when his is a compulsive fabricator, he just doesn’t know what to think.  The whole teenaged boy rejecting a chance to have sex thing is certainly a cliche in anime by now, but here it kind of fits Hikari’s character – he’s decent enough to want to spare Iroha from giving up her virginity to prove a point, and scared enough to use his “otaku pride” in chastity as an excuse to back out.

As with many shows this season, my blogging decision with 3D Kanojo is going to come down to time management – but I do like it.  The whole mahou shoujo figurine thing was cute (though it wouldn’t have killed Hikari to give Yuuto some credit), and it quite emblematic of what I think this series’ true nature is.  It’s no masterpiece, but anime can always use more romcoms that come from that sort of place.

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4 comments

  1. “Catchick” sure was a weird translation choice. Kitaro seems nice enough but also a bit too childish perhaps to hold my attention. It’s fine but it’s also very predictable and I’m afraid I’m a bit out of its target audience (well, MORE out than I usually am with anime…).

  2. H

    I think what makes Real Girl special is that its female lead is so much better defined than love interests from otaku wish fulfillment romcoms usually are. While otaku romances often focus on relationships that don’t help to resolve the underlying character issues (see last fall’s Netjuu no Susume), Iroha can help Tsutsui overcome his issues, and depending on her agenda (which is not clear yet) Iroha can greatly benefit from the relationship too. She is a good kind of wish fulfillment for Tsutsui, as she can ultimately help him open up to the world without abandoning what he likes, and find out whether what he likes is a true passion or just a defense mechanism.

  3. s

    watching 3d kanojo, i can’t help but sigh in dismay at what a waste it is to have a character like Iroha in a shoujo series as underwhelming as this. Like every second watching this show just makes me wish i had the ability to uproot her into a better series. On the other hand, Gegege is pretty a fun, light-hearted children’s show that engages with its seemingly eclectic cast and a world rife with mysticism. I’m curious to see if it will actually go anywhere though, not that i expect it to (although i’d be pleasantly surprised if it does). This is the kind of show id watch purely for it being a laid-back and innocuous piece of television. It’s got really great character art, colorful visuals, and intriguing world of ghoulish ghosts and demons.

  4. F

    I really liked the first two episodes of GeGeGe no Kitarou, so I hope that you will continue blogging it.

    The combination of the shiny new visuals and the somewhat traditional character designs for the youkai (except for Neko Musume) creates quite a compelling world inhabited by its quirky cast.The action scenes also looked pretty good for a children’s show and I’m always eager to learn more about youkai folklore. So it’s a real shame that the CR subs are this horrible – although Catchick-san takes the crown, Rollo Cloth and Wally Wall are close runner-ups -, since this would be the perfect show for some old-fashioned translator notes to explain in one or two sentences to the less well-versed that what exactly a Nurikabe or an Ittan-momen is.

    Also, I don’t usually promote AMVs, but this one is hilariously well-made and the dichotomy between the visuals and the rap song plays off wonderfully: https://www.youtube.com/watch?v=GlcYOYS4J0U

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