Hoozuki no Reitetsu 2nd Season – 05

There’s no two ways about it – Hoozuki no Reitetsu is a great anime comedy.  It was away for long enough that I almost forgot how great, but this season – especially the last two episodes – has been a wonderful reminder.  It’s so smart, so literate, so cheeky and genuinely mirthful.  Hoozuki no Reitetsu is the master of contrasts – highbrow and lowbrow, ruthless and sweet, Japanese and universal – and it’s consistently the best-looking anime comedy (contesting only, perhaps, with Tanaka-kun wa Itsumo Kedaruge) of the past several years.

  • Ono no Takamura – this is not a historical figure with whom I was previously familiar, but he seems a perfect fit for this cast.  A scholar, a poet, a gifted administrator – and also a smart-aleck of the highest order.
  • “Second-most famous behind only Sadako” – that’s priceless and so very clever.
  • Poor Shinko – I’m not sure who’s worse off for chief of staff, he or Enma-sama.  One is a relentless trickster, the other is, well- Hoozuki.
  • It’s as if Yoneda-sensei head me bemoan the absence of Enma in last week’s post, because the B-part here was the big guy at his loveable best.
  • Konjac = “Devil’s tongue” – if you’ve eaten it you know why.  It’s not as disgusting as it looks, but that’s a pretty low bar…
  • Hoozuki-sama is the “King of Mild Curry”?  That’s sort of unexpected.
  • The tour of Enma’s quarters…  That was just great fun all around.  I loved the way Karauri magically appeared in-frame when Okou showed up, and Nasubi’s antics on the bed.  He just doesn’t give a hoot, but the great thing about Enma is he’s totally fine with it.
  • Enma-ou is an interesting figure.  He is a manifestation of the Buddha after all, and being such a softie makes him a good choice for his job (if counter-intuitively).  He passes the crucial test of being kind to beasts and children, as this chapter displays.
  • Jizou makes an appearance!  This is my favorite of all the Buddhist deities – how can you not love someone who’s the protector of travelers and children?
  • If you’re not familiar, Jizou statues are omnipresent all over Japan, especially in the countryside along paths and trails.  And it’s common to drape a hat or scarf around him to protect him from the elements.  It looks as if we’ll be seeing more of him next week, too – perhaps a speaking role?
  • They can’t give me too many Enma-Totoro gags.  Keep ’em coming.

 

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2 comments

  1. e

    – Enma is a giant squishy hairy marshmallow of a (hell)man <3
    – Jizo here too is cute XD also dem plush earlobes *pinch pinch pinch*
    – Miss Mustard's short but significant cameo *3*
    – Merlion! The nostalgia is strong. And yes the puke thing seems to be an affectionate jab at it among the locals IRL too. Never mind the play of lights does give the water flow pouring from his jaws a green tint too…
    So far this season seems more overall mellow than the previous. I don't dislike it – who knew Hell can be this soothing – but I wonder of much of this tonal shift I'm perceiving if any is influenced by the the material they picked to adapt or the different studio. We're in the mild curry range so to speak.

  2. I don’t actually see that much of a tonal shift myself, maybe just a little. Even with the edgier material I always found a mix of ruthlessness and warmth, and it still hits that sweet spot for me.

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