A while ago – it may even have been in the first season – I mentioned that Riki’s narcolepsy struck me as being something like a circuit-breaker – a switch that trips whenever he gets too close to the truth. I think the reality is somewhat more complicated than that, but I feel as if I got a piece of it with that observation – and the events at the close of last week’s episode (I heartily recommend you watch the readily available footage of Riki and Rin’s time in her Grandfather’s house which leads up to them – no real spoilers) seem to bear that out. I do think Riki’s “fail-safe” switch tripped there, but it wasn’t so much the truth as the fact that he’d taken this train as far as it could go – there was no more track, the end of that spur line, with no rails to ride.
Cue this episode – the 7th of the season, the 33rd of the series – and we find ourselves back on May 13, where it all started. It’s clear enough that this is a new start, a reboot if you like – but just as clear that things are very different this time around. I will say that more so than at any time during Little Busters’ run, I found myself genuinely confused about what was happening here, but I think that’s exactly how a new viewer is probably supposed to feel at this point of the story. It’s at times like this that I remember that LB is a VN adaptation, and that we’re effectively in the same shoes as Riki – we see what he sees, and we know (and don’t know) only what he knows. If Riki is confused, it’s only because he, like us, doesn’t have access to all the information – or at the least, has yet to put all of it together.
One approach one make take would be to encyclopedically list all the ways this episode differed from the first, but that doesn’t sound like much fun to me and my memory isn’t that good anyway. So instead, I’ll say that what it felt like was a sort of photo-negative of that episode. There were obvious similarities, but the emotions were completely flipped. You began with “Kyousuke’s back!” – back after walking home from Tokyo (supposedly) where he was job-hunting (supposedly). There are some interesting other similarities, too – Kyousuke spends much of his time reading manga in both cases, for example – but in the series premiere they’re gag manga and he’s constantly smiling, surrounded by other people. Here, he reads somber dramas (“Have you ever been freed from everything?”) in silence in his darkened dorm room, refusing to come out.
Indeed, it seems that the two people most changed from then to now are the siblings, Kyousuke and Rin – while the two who seem to be the only principals who don’t know what’s really going on are Rin and Riki. I remember a scene from early in the first episode where Kyousuke was looking down from a forested hillside – or rather a clearing, perhaps the same one where he and Riki met last week – and the lights of the city below only flickered on when Kyousuke arrived to see them, as if this entire world only existed in (or because of) his perception of it. Now we have Kyousuke dour, depressed and completely anti-social and Rin skittish as a kitten and terrified of everyone except Riki, cats and small children (i.e. cute and harmless things). And then there’s Lennon, who likewise appears from nowhere in both timelines – only this time, he seems to be bringing a baseball with him.
It seems clear that a memory is retained whenever time seemingly resets itself – either a complete recall, which Kyousuke and probably Masato and Kengo too seem to have – or a kind of emotional memory, which Riki and Rin seem to have. It’s easy to surmise that Rin is so timid because of her harrowing isolation at the other school (even if she doesn’t remember it), but is Kyousuke so somber and angry because he’s not happy with the way that last world worked out? Does it somehow represent a failure for him, as if all his cruelty and coldness towards Riki and Rin at the end was for naught? Or is this all part of his master plan to force Riki to be the strong one?
“I wish things could stay like this forever – that time would stop.” It’s something that’s part of the cultural mythology of every country but it seems to have a special resonance for the Japanese, and it seems to be at the heart of everything LitBus is about. In this new world the fight between Masato and Kengo seems to have an anger to it the ones in the last world lacked, Rin is more scared than ever and Kyousuke like an angry ghost. But Riki seems himself – if anything, more determined and bolder than the Riki that started the series (if not the one that stole away with Rin and tried to protect her from the world). And when Lennon rolls that ball into his feet, he definitely remembers, even if he doesn’t realize it. He senses the elemental importance of the place he’s standing, and he has an awareness of how much things have changed even if he doesn’t remember exactly how they were before.
It seems to me that it’s in Riki that hope lies for something that isn’t a tragic ending – in his earlier promise to Kyousuke to grow stronger, which he seems to be acting on now. Masato always manages to toss in at least one line of dialogue that seems loaded with significance – here, it’s when he tells Riki “It seems as if you’ve come far enough. I’m the only one left. I’ll take my leave, too – take care of the rest.” That comes in response to Riki’s question – “If the answer isn’t to be found in this world… Is it in another world?” Indeed it truly seems as if we’ve entered another world as of this episode, one quite unlike any we’ve inhabited up until now.
Author’s note: Please “refrain” from posting any VN spoilers (or hints, or confirmations or denials of guesses, or clever spoilers disguised as jokes) into the comments section. I don’t want this experience ruined for me, and I don’t want it ruined for any other new viewers. Read the comments at your own risk, because I make no promises about catching every spoiler soon after its posted. All I can do is delete the comments as soon as I spot them, but that might be after you do.