Dandadan 2nd Season – 07

Dandadan definitely has the cool factor thing down. The manga, and the anime managed to maintain it (which is harder than it seems). Maybe even enhance it, in the way an anime can. There’s no question this series has a real swagger to it, but it’s also peopled by total dorks and that does a lot to make it more approachable. It doesn’t vary its pace as often as I would like, and as such especially in manga form can be a pretty exhausting experience. But when it does slow down, it usually does so very well indeed.

You gotta love Momo and Okarun. I wish their relationship got even more time than it does, but it sure makes the most of what it gets. The whole maid cafe sequence is delightful, as Okarun is so hopelessly at sea with the whole experience and Momo tries to find a rock to crawl under. Indeed, with friends like hers, who needs enemies? Okarun offering to stay until her shift is over was just the sweetest thing, honestly. And then he winds up waiting for her in the cold after she (understandably) refuses his offer. And the whole Chopin thing was one of those anime level-ups I was talking about. Use the tools the medium puts at your disposal.

That said, the Jiji problem isn’t gonna solve itself. Jiji is making progress under Seiko and Manjiro’s tutelage, no question about it. He reaches the point where he can contain Evil Eye – barely – when Seiko spills a drop of soy sauce on him as a test. He’s a spiritual prodigy, she says, and those can do remarkable things. But one drop of room temperature fermented soybean paste is hardly the toughest test. As Aira soon shows, when she carelessly spills half her boba tea on him.

This is a pretty disturbing development. In the first place, Evil Eye manages to erect a spiritual barrier immediately on his release, which prevents anyone from splashing hot water on him. He then proceeds to target Momo, and half rips her sweater off in the process (and that sort of thing happens just a bit too often with her). It’s only because she’s already taken and reserved a swig of hot water (she and Ken had just come in from the cold, not that the wrecked house is much warmer) that disaster is averted. But the takeaway is painfully clear.

This situation is tough on everybody. Seiko knows she’s putting everything at risk by trying to honor Jiji’s wishes. Manjiro practically scolds her for it. But Seiko always wants to do right by the kids, to let them be idealistic and ambitious. And her deep affection for Jiji is plain to see. As for Okarun, he’s somewhat rough with Jiji after it’s all over. And then with himself, for not being able to do enough to protect Momo. He seeks out Peeny Weeny to become his master in teaching the mantis punch, but the alien refuses on the grounds that violence is wrong. That leaves Ken to try and mine wisdom from Hajime no Ippo (which to be fair is the basis for Mr. Mantis Shrimp’s fighting style).

But of course this is tougher on Jiji than anyone else. He has no semblance of a normal life at this point, for starters. But he’s more consumed with the reality of what everyone else is sacrificing – and risking – for him. You can tell Jiji all day long that this isn’t his fault (he didn’t spill that bubble tea on himself). But he’s making what, depending on how you look at it, is a very selfish request. The adults have the power to put an end to all this – to give his (and everyone else’s) life back, and he’s preventing it from happening.

In the end it’s Turbo Granny who takes Okarun under her paw, on the grounds that he’s shaming her powers by being so weak. She takes him to school, literally (and Aira sneaks along). To the music room, where she uses a piano to very artfully demonstrate just how much weaker he is in battle than Evil Eye. And even Acrobatic Silky, who makes her first appearance in a good while. It’s all about rhythm – and his two attacks per beat just can’t keep up. But as any Japanese kid knows, the music room is a scary place at night – it has one of the seven school mysteries, after all. And if it’s an urban legend or famous folklore, you can bet your sweet bippy that in Dandadan, it’s the real deal.

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2 comments

  1. R

    Dandadan is just above usual action shonen when developing MC relationships.

  2. S

    On the topic of Momo often finding herself in situations of assault, I’ve always wondered if the reason for this was in part a means to make commentary on the dangers a girl like her would be subjected to for being a beautiful and headstrong girl who both embodies and challenges typical expectations of femininity, with the narrative catharsis being that of watching her overcome these kind of uncomfortable situations through said headstrong-ness. Like, it’s usually just her who’s the subject of this stuff and not the other female cast members like Aira or Muko or Miko; why, you know?

    Like, make no mistake, I’m aware that Dandadan indulges in raunchy, juvenile absurdist mayhem; and perhaps Momo often being the butt (no pun intended I swear) of these precarious situations is just juvenile tone deafness meant to serve as a little bit of edgy titillation; but I don’t know, I don’t buy that’s completely the case; or rather, that all this is done just for the chance to sexualize its cast; if it was just tone deaf titillation, why not sexualize Momo even further like other animanga of this kind of schtick would? Why not do the same to the rest of the cast if it’s just for the ecchiness? Why has it been that in most cases with Momo being in that kind of danger, it’s turbo granny, the character associated with protecting young women from this kind of stuff, the one who inadvertently saves her? Why emphasize Momo’s strong defiance and quick thinking to overcome these scenarios?

    Like, I’m no fool; I’ve watched enough anime to understand how much assault gets overly sexualized and victims being whored out at the expense of it (though trust me, I don’t like throwing that card out for EVERY portrayal of assault in media like other people like to do), and it’s not like Dandadan hasn’t committed that once before in a “pushing-the-line” kind of way; but I don’t know, it just feels like there’s more to all this cuz in any other case, Dandadan’s nudity is in service of absurdism or communicating romantic vulnerability rather than pure sexual objectification or titillation (though its not COMPLETELY above trying to be titillating).

    Could be me just somewhat overthinking it, but I do think it’s interesting to ponder. Whatever; im just rambling now: point is, there seems to be a meaningful cause and effect when it comes to Momo being subjected to this kind of Duress, especially since it just seems to be her gets the brunt of this uncomfortable treatment

    Anyway, this episode was great. If my eyes are not deceiving me, next episode (based on the preview) is being treated as a high-priority one so buckle up for some Dandadan spectacle!

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