Patron Pick Spring 2024: Bartender: Kami no Glass – 11

I’ll say this for Bartender, it’s really finishing on a high. These last three episodes have been uniformly excellent. Which is not surprising, as the whole Bar Kaze thread with Kitakata and Kase-san is easily the most engaging of the series. Bartender is at its best stripped of all artifices and modern animanaga affectations – that could not be more clear to me at this point. Simpler is better, and thoughtful and reflective over”dramatic”. Shows really need to stick to what they do well, but so many have a really hard time doing that (including this one, for much of its run).

Both halves of this ep worked for me, but the A-part was especially powerful. It seems that Kase-san is being discharged – temporarily, for what seems likely to be the final time. He expresses a desire to stand behind the bar one last time, and of course Bar Kaze is long gone. But Kitakata offers to close his place for the night, and Miwa (whose tagging along is the one discordant note in the story for me) puts out a social media message about it. Which she really shouldn’t have, but it turns out OK in the end.

I won’t lie, this whole sequence got to me – especially when Kase lit up those shots of vodka as a tribute to all his customers who had passed on. For this man bartending is a way of life, a calling – and for his customers, he’s family. Kitakata has saved the old “Bar Kaze” sign, and it’s like it’s re-opened for a night as a members only joint. Ryuu and Kitakata ably assist, and the old man works his magic one last time. It could be argued to be a bit corny I suppose, but a story about bartenders just lends itself to that sort of emotional payoff.

The focus then shifts back to Miwa and her grandfather, and the whole misguided quest to poach Sasakura for the Cardinal. Miwa enlists Sasakura (after all the times she imposes on his he should be drawing a salary even without jumping ship) to help her track down a bottle. It’s one that her father had set aside to drink with her grandfather after they’d feuded over the direction of thee business (the son was right). But Miwa broke it and has felt responsible for their never mending fences ever since (her father was killed in an accident 25 years earlier).

All Ryuu has to go on is that it was “sparkly” – which isn’t much. He and the Ogura master puzzle over this, their focus turning to high-end cognacs like Louis XIII. But none of these look right to Miwa (who drops thousands of dollars in Yen on them rather than just looking at photos on the net for some reason – she’s really loaded). Ogura’s man finally suggests that because Kurushima-san at the time “hated Western things” (like hotels), his son wouldn’t have chosen a Western liquor to reconcile. That lights the spark for Sasakura-san, and he finally solves the puzzle.

The Kakubin (square) bottle shape does sort of sparkle. Ryuu finds a bottle of pre-1989 whisky, which is actually pretty easy – there’s a ton of old Suntory around in Japan, and I’ve tried several bottles myself. There’s no question dusty whisk(e)y tastes different – not always better, but often. Whether it continues to age in the bottle – what whisky geeks call “old bottle effect” – is hotly debated (my experience tells me that OBE unequivocally exists). There were different grain species used, different casks – lots of reasons, depending on the spirit. But Ryuu is absolutely right – you’re drinking memories too, a time capsule, and that does impact how a whisky tastes.

Now, though, we come down to the matter of Ryuu’s place of work. Interestingly even after eleven episodes I’m still not sure how Kami no Glass wants us to think about this. For me, the whole exercise is misguided. Sasakura is happy at Edenhall, and both respects and owes his boss. The bar ceases to exist if he leaves. And I’ve yet to hear a good reason why he should. He can just as easily chase his “glass of God” (finally defined here, as a customer’s last drink on Earth) at Edenhall as at the Cardinal.  I think Kurushima and Miwa should bugger off, personally, but the vibe I’m getting is that’s not what the series is selling. We’ll find out soon enough.

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4 comments

  1. I thought this was a great episode until the seemingly inevitable Suntory commercial.

    I certainly agree about the very different character of (barrel) aged spirits. Laphroig 10-year is raw and overwhelmingly peaty. Laphroig 30-year is as smooth as fine polished wood. (The price is very different too, of course: 2/3 of the spirits have been lost to the “angel’s share.”) I’m much less sure about aging in the bottle. Wine ages, but there are still active components in a bottle of wine. Bottled spirits are essentially sterile, and interacting with glass doesn’t do anything.

  2. Google OBE and you’ll see that really experienced whisk(e)y anoraks almost universally believe it exists. To an extent it can be taken as science vs. reality, but there is scientific basis to support the idea.

  3. N

    Yep, this was great episode and I’m glad to see that the show intends to end on a high note. There are two distinct stories in this episode and starting with Kaze-san being temporarily discharged from the hospital and being allowed to set out, probably for the last time. Right, he reminisces about standing behind the counter one last time, but Bar Kaze is long time. That’s when Kitakata allows Kaze-san to take over his place for the night. It’s going to be a farewell party and so it’s probably a better spot than Edenhall. Word gets out on social media from Miwa and Kaze-san’s former customers come rushing in. That’s not a problem for Kaze-san, who says that doing 100-200 cocktails are no big deal. We also get a glimpse on how Sasakura-san started out as a bartender when he walked into Bar Kaze as a college student. Yep, the whole affair was a bit corny, but it still worked for me. Even the vodka martini makes a return. The Bond martini is close enough, I suppose. To end the night, Kaze-san lights up shots of vodka for all of his former customers who have passed on. Sasakura himself lights one up later at the end, though we can only guess who it was for.

    The 2nd half of the episode focuses on the Kurushimas. Specifically, it’s the dynamic between old man Kurushima and his son, where they had a falling out regarding the hotel business and then his son died in a car accident. It’s something that Taizo still regrets 25 years later as it also haunts Miwa. Father and son were trying to make amends, but then she broke a bottle of liquor and she believes that’s the reason why they weren’t able to make up. She wants to find that bottle of liqour, but the only thing she can remember about it was that it was “sparkly”. Sasakura, with the help of the chef from Ogura, try and brainstorm some ideas. Miwa just decides to buy all of the bottles that they suggested, but none of them are right.

    Right, she was imposed on him so much already that she should treat him to some of that expensive liquor or just give it to him to use at Edenhall. At the suggestion of Ogura’s chef, he figures that it wouldn’t be a spirit from the West because Taizo didn’t like Western things at the time. Sasakura figures it out and it’s an old whisky from Suntory which has the sparkly bottle that Miwa remembers. I suppose we should have seen that one coming, eh? This helps both Taizo and Miwa to move on from the past.

    Of course, this scores even more points for old man Kurushima and he’s back in Edenhall on another night for another pitch. It does seem to be moving in the direction that he’ll eventually leave Edenhall, but I also wonder if it’ll happen by the end of this cour.

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