Second Impressions – Metallic Rouge

Writing matters.

Given the pedigree behind Metallic Rouge I feel like I have to give it a longer leash than I otherwise might,  And truth be told, this episode was certainly better than the premiere.  And annoyed me less.  Which is not to say there was nothing in it that annoyed me, because there certainly was.  But it was a little less preening and posing than the first episode, which I guess you have to call progress.

What bothers me is that I can’t shake the feeling that this is all very prefab, like a kit house – a Bones mecha series as designed by ChatGPT or Google Bard.  All the boxes are checked, but the result is patently artificial.  There’s no soul to this show, no creative ambition.  It just puts one foot in front of the other and does what you expect a Bones sci-fi to do.  It’s like the studio is ripping itself off, and that’s never a good look.

All the clumsy exposition by explanation this week is always a sign of uninspired writing, but when what it’s expositing is a plot made up up every anime sci-fi trope mashed together, the problem is compounded.  Seriously, did anyone really try here, even a little?  It’s not like there are no big names involved with Metallic Rouge.  Yet in spite of all this there is a draw to it.  However recycled it is this vibe is still an attractive one.  The animation is gorgeous if not especially life-changing.  The people involved in the production itself deserve better than what the scripts are giving them.

As for the plot, does it really matter?  Hot battle chick, annoying woman who can’t shut up, countless roguishly handsome oddballs showing up out of nowhere, suppressed alien race and the ruins left over from a great war for the survival of humanity.  I’d say stop me if you’ve heard this before, but I know you have.  None of that is why I’m still watching, and I suspect that’s the case for most viewers.  I get the feeling the shelf-life for Metallic Rouge is going to be very short unless there’s more here than what it’s shown so far, but I’m too big a fan of what it’s modeled after to give up just yet.

Facebooktwitterredditpinterestlinkedinmail

3 comments

  1. J

    Honestly, I wouldn’t say that this show feels like it was written by an AI. Because it’s not.

    An analogy that I would make instead is something like Michael Mann’s Ferrari, which used a script that was written decades before it was finally filmed. As a result, without applying polishing to it, or even having some sort of topical relevance that can apply to today outside of the casting, it ended up coming off as egregiously outdated as a result, having been passed by numerous racing films and biopics that had come out before Ferrari was released.

    Basically, it feels like a treatment that was written by Izubuchi in the early 2000s fresh off of RahXephon, but was shelved for years. Bones would then choose to unearth it and produce this shelved series in the modern anime industry environment while trying everything they could to polish a script (with another writer) that had become outdated in the years since it was written. And to top it off, because they couldn’t get the budget for the episodes they wanted in this cutthroat environment (if the treatment asked for a minimum of 24 episodes), they were forced to heavily compromise it to fit a single cour. And it shows. Badly.

  2. An interesting analogy. But you know, if you told an AI to write a mecha anime that’s probably just how it would go about it.

Leave a Comment