Komi-san wa Komyushou desu – 05

That was certainly a step up from last week, but then, anything else would have been nearly impossible.  Back onto the bubble, which is a step up – but if that’s a step up you know things are pretty grim to begin with.

I have three fundamental problems with Komi-san Can’t Communicate, which may not sound like much.  Except they’re all really, really integral to the entire series.

  • The entire premise is built around Komi-san being extremely popular for absolutely no reason except that she’s beautiful.  The fact that there doesn’t appear to be a trace of irony in this is alarming.  And there’s also the absurdity of the fact that no one seems to notice her condition except Tadano.
  • I have a visceral dislike for two significant characters.  And with one of them it’s so intense that every time she appears it’s like a deal-breaker.
  • How is it that this poor girl has never gotten professional help?  Why is she relying on self-help books she has to hide under the bed?

Unfortunately none of those are minor issues – they cut to the very heart of what this show is.  But there are pluses – I mean, I have no problem with Komi and Tadano (though they’re hardly charismatic) and I actually like Osananajimi.  There’s Watanabe’s direction, which is flat-out great – even when he’s slumming like this, he still commands attention.  And I think the series sort of works when it focuses on cultural miscellany – – like the Saitou-san game two eps back, and the “Darou” ramen bit today.

Darou is of course Jiro Ramen, and I’ve talked about it on here several times already.  It’s an experience to say the least – the lines, the rules. the belligerent staff (usually, not always).  And then of course the experience of eating in itself, which is unique in my not inconsiderable culinary journeys.  This portrayal was spot-on, because a bowl of Jiro is a sensory overload on every level – there’s something raw and visceral about it, so I know how Komi-san felt.  I also know how Osana and Tadano felt, because I usually feel sick afterwards (though I’ve learned a few tricks over the years to try and game my system to survive the experience).

As for the new character (Nakanaka – seriously, the clever-clever naming thing is getting on my nerves), well…  The best I can say is I didn’t immediately loathe her like Yamai, but she feels like part of a larger attempt to shoehorn every animanga school trope into this series.  I did like the revelation that Hitohito is a former chuunibyou himself, and that his current anonymous persona is a response to that getting him rejected by his crush.  And of course casting Kikuko Inoue as the mother who describes herself as “ever 17” (she does it in the manga, I checked) is on-point (one might speculate that the character is based on her).

Is this enough to keep me going?  For another week I suppose, but this ice still feels very thin.  I have a suspicion my feelings for Komi-san wa Komyushou desu are never going to be better than a mixed bag, but in a season like this maybe that’s enough.  And Watanabe’s presence does carry serious weight.

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4 comments

  1. A

    I think the story struggles with the drama/comedy balance. We are supposed to take Komi’s problems seriously but also to laugh when Najimi forces her to order at the Starbucks. We are also supposed to root for her and Tadano to befriend the most annoying people in existence. Really, the classmates are the biggest problem. The 100 friends thing feels like Komi is playing Pokemon Go instead of overcoming social anxiety, but to make it worse, most of the potential friends are clueless assholes. They really should go for quality over quantity.

  2. That balance is indeed a big problem. Another series that faced that challenge was Watamote, but I would argue it did a much better job of striking a balance.

  3. a

    Spot on observations, I think I’m in the same boat on this one. The first episode really cultivated an endearing quality about it. I wanted to see this interesting girl meet the challenges of her social problems, and having that one special person that understand hers to, admittedly awkwardly, help try and make that journey managable for her. But it seems like that point is at best maybe 10% of what the show is “about” and it’s just an excuse to show off increasingly zany and gimmicky characters that really come off as one note. The pattern has been established, introduce another wacky individual, and Komi’s innability to speak will immediately make them want to become friends, and then the absolute most minor attempt a failed social interaction will indear her to them and the friendship checkbox is made, one step closer to the 100 friend goal.

    As time goes on Komi is seeming less like a character, and more just a thinly veiled macguffin, the excuse to introduce a litany of one off characters and tropes. But honestly, there interaction is so minor, there really isn’t much comedy at all to be enjoyed. Maybe 5 mins of “content” per episode? I don’t even need to nitpick the absurdity of the plot, a lot of anime I enjoy are too absurd to pass the real world sniff test, but at least there are characters there with some humanity, something to draw you in. Two people bumping elbows under and umbrella is not enough “character development” to justify a whole episode. I’m in the danger zone on this one, shame because the look of it is great, the design and animation is fun, it’s entertaining to watch on a visual level but not enough to be the only thing to keep you coming back for.

  4. Pretty much 100% agree.

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