It’s funny – I never didn’t like Mairimiashita! Iruma-kun. I never said anything negative about it. It eventually forced my hand when it came to picking it back up for coverage, and I think I’ve been pretty effusive in praising its work this season. But somehow I still feel as if I’ve never done it justice – that I’ve been selling it short for two seasons. It’s so innocuous and approachable that’s easy to do. But there’s a lot of substance here – very few series can do so much so well. This is a stealth shounen powerhouse, and I think it deserves to be in the conversation when the best of the demographic are being discussed.
I continue to marvel at the diversity of appeal this series has. So many clubs in the bag that it’s ready for any lie, any distance – a stable of great characters, and the ability to swing for any tone it likes and make perfect contact. No Clara at all this week, no Ali-san (who wasn’t in the first season at all) for several, but even great characters being absent doesn’t seem to matter. It’s sweet and intimate and funny, but when Iruma-kun wants to go for flat-out epic it can deliver a WMD like this episode. GAR was seeping out of every pore, and most of it was from characters who aren’t normally the main focus.
Balam is always pretty GAR of course, and he has many big moments this week from the beginning of the ep onwards. But it’s Sabnock who has the first headliner, and it’s not his attacks against the Carmine Dragon. He and Azz are supposed to acting as decoys but there’s too much testosterone in the air for that to take. There are some very tense moments here, as it looks as if Azz has gotten careless and his life could genuinely be in danger. Not only does Sabnock save Azz’ bacon from being burnt to a crisp, but he gives him a stern lecture about his responsibility to others – in the process showing that indeed, Sabnock has grown substantially over the course of the series (and the Iruma-obsessed Azz perhaps has not).
This is about as emotional as we’ve ever seen Iruma – it’s very clear just how much Azz means to him. All his friends do of course and I think he’d cry for any of them in this situation, but there’s no denying it – Azz is special. Sabnock’s decision to retreat was evidence of his growth, but it still falls on Balam to step up and save the pair of them (as he’d saved Iruma and the others earlier). Balam with his mask off is indeed pretty scary, and his “Nigipnir” familiar (I think) is even scarier. It’s over in one blow, pretty much, but the danger is far from passed.
Six Fingers has one (well, for now) more big trick up their sleeve, as the three fallen magical beasts combine into one composite form. This unexpected turn takes even Balam-sensei by surprise, and it’s only the timely arrival of Opera (is this the human-masking cologne from way back in S1?) and Ameri that saves the day. The monster gattai prompts the big dogs on the other side to team up too, but that necessitates using a familiar-summoning card on Kallego-sensei. This looks to be a battle of the titans, but the “long fight” that Sabnock predicts turns out to be over in one punch. Don’t mess with OP teachers and cat butlers.
But over it’s not, because the beasts – composed of all the negative mana from the prisoners below – are apparently programmed to go out in a blaze of devastation. The gestalt creature summons all of its mana for one final blast to turn Walter Park – including the evacuation center – to ashes. There seems no way to save the others – indeed, Balam-sensei appears to give up on them, and it’s only Kallego ordering Agares to create an emergency bunker that gets the heroes out of harm’s way. But there’s one last GAR trump card to play, from an unexpected source – Ronove uses his glamour to turn the creatures’ (and everyone else’s) attention away from the center of the park. Heroic indeed – but this is indeed one of those “I didn’t think this through” moments.
We know this about Iruma, he never gives up on anyone – even if that person is a sometimes-nemesis like Ronove. He’ll need saving now too of course, and I think it’s finally Ali-san’s time to shine – which could be awkward for obvious reasons, but there’s no time to think about that now. Honestly, this is just flat-out stupendous battle shounen. And while this isn’t Iruma-kun’s default mode the show just does it so well when it does it – and not only that, because all the action is driven by the character dynamics, the selective excursions into epic territory are always that much more impactful. Does shounen get much better than this is 2021? Not as far as I’m concerned it doesn’t.
Su…ki…ma
A.Sade
August 7, 2021 at 11:59 pmThis episode was amazing! It packed in four manga chapters worth of material instead of the usual three, but it didn’t feel too rushed, just soo action-packed. And they even managed to put in that amazing original Sukima at the end— so simple yet utterly hilarious.
You’re right that the perfume is the same human-scent-masking one from S1 Ep1; the manga makes that explicit. Another strength of this show is how it ties all the loose ends— One more thing the manga makes clear that isn’t as obvious in the anime (though I’m sure you picked up on it anyway) is that the summoning seal is the secret weapon Opera asked from Clara last week.
And I agree on all counts re: the amazing cast too! Balam was GAR, yes, but I also love his mofu moment, and his little emotional roller coaster about his influence as a teacher. He’s almost as pure as Iruma in a way… but still very demon in the way he gives up on others until Iruma shows him that’s not the only option.
Could you tell that I’m a huge Balam fan? lol His voice in the anime this season sealed it for me, though I also admit I rewinded a few of Azz’s lines this week too. The voice work is just the cherry on top of the sundae. Sooo much to love in every aspect of this show.
Guardian Enzo
August 8, 2021 at 12:12 amI’m of the opinion that Kimura Ryouhei is as good as any seiyuu of his generation, so his work as Azz is a real highlight for me. But the cast is generally outstanding.
Balam is for sure a very pure soul by demon standards. Almost fragile in a way,
A.Sade
August 8, 2021 at 12:26 am>I think it’s finally Ali-san’s time to shine – which could be awkward for obvious reasons,
What are the obvious reasons you mentioned here, by the way?
Guardian Enzo
August 8, 2021 at 8:46 amWell, other than Sullivan and Balam no one is supposed to know he exists, are they? And even Balam doesn’t as far as I remember, though he knows the bigger secret so it’s no big deal.
Riv
August 8, 2021 at 12:53 amThe characters really are fantastic. Most if not all of the other big shounen series right now that I’ve watched have at least one character who either really annoys me or that I actively dislike and who drags down every episode they’re in. But Iruma isn’t like that–no matter who is the focus of an episode, I know I’ll enjoy it.
animealex
August 8, 2021 at 6:50 am“Cerberus…turned into a puppy! Fluff!” Kallego-sensei has his priorities straight as usual. Random thought: I wonder, how he would react, if he found out, that his most problematic pupil (Iruma-kun) is a human.
Rita
August 10, 2021 at 11:17 amIruma-kun is an understated powerhouse- in the best way possible. I think it doesn’t need as much pomp or flash as other shounens because it does everything so well at a constant pace. Even with series that have really good fight scenes or character development, when they change gear or have to do the intermission between arcs and highs, they can lag quite a bit. But I never get that with Iruma-kun, it’s just rock solid all the way through. And I think as a result you don’t always realize just HOW good it is because it doesn’t really dip. I think Nishi-sensei’s strongest suit in her writing isn’t her ability to write lovable characters, believable drama, or epic fights. It’s her ability to pivot seamlessly whenever she feels like it.
And, despite being basically polar opposites in terms of genre, that quality puts me in mind of Mori-sensei. Bride Story has ups and downs but it’s ability to basically pivot genres at the drop of a dime is pretty amazing in a way you don’t always notice when you’re reading it cause it just feels naturally done.
All that to say, Iruma-kun managed to end up somewhere in my top 3 shounen of all time that I follow without me ever noticing it.