OP: “Nasugamama, Sawagumama” by milktub
There’s only one real downside to another season of Uchouten Kazoku for me, and that’s that it’s so adept at depicting the magic of Kyoto (and its love for the place so obvious) that I get a wrenching pain every time I’m reminded of just how much I miss it. Kyoto’s absence from my life feels like a part of my soul is ripped away, that’s how dear that place is to me. If you’ve never been there, all I can tell you is this – The Eccentric Family may be fanciful, but once you’ve experienced Kyoto you’ll find yourself thinking this story might not be as far-fetched as it seems.
I enjoyed last week’s premiere, certainly, but this episode more fully re-captured the special magic of the first season. It’s hard to describe the allure of Uchouten Kazoku in words (as is so often the case with great anime), but part of it is that this show simply feels like no other out there. The narrative style is so free-form, the whimsy so infectious and comprehensive, the – for lack of a better word – eccentricity so vastly entertaining. This is a serious story to be sure, but it also has a calming and uplifting sense to it. It reminds me of the words of FLCL mangaka Ueda Hajime: “To be a boy is to be a fool. And to be a fool is pure bliss.”
Things started off on a great foot this week with the new OP, which is wondrous-good both musically (I think I’ve loved every anime theme milktub has ever done) and visually. And we jump right into the story with the conclusion of the “fight” between Akdadama-sensei and the Nidaime, and the re-introduction of Kaisei. As usual she’s not letting herself be seen by Yasaburou, but it’s little Yashiro who asks the pointed question – “When are you two going to get married?” And the equally pointed “Well – what’s stopping you now that Sōun is gone?” This is complicated, what with Yasaburou being hopelessly in love with Benten (as is Akadama), which Kaisei is well aware of. But it promises to be a recurring thread for the rest of the series, I would think.
We also meet Yadogawa-sensei again this week, but the major introduction is a new one – Tenmaya (Shimada Bin). We first meet him as he’s plopped a ramen stand on top of a building in Teramachi (one of my regular haunts – oh, the agony…). And he pulls a pretty good one on Yasaburou, who’s been hired to shoo Tenmaya away. Ysaburou tries to spook Tenmaya with a transformation into a bear, but the latter bewitches the former, causing him to lose all sense of his true self. Disaster is only averted when Kaisei suggests they throw Yasaburou into the Kamo River to shock him back to his senses.
In the wake of the fallout of Sōun’s betrayal, Yadogawa-sensei has been banned from the Friday Club, but a new “Thursday Club” is born – a “protest against tanuki hotpots”. It’s held at the studio of Ayameike-sensei, an old man (at least he appears as a man) who imagines himself a frog in a well and paints masterworks of varying themes. Tenmaya-san is a member of this club too – he brings a Hanzaki (Japanese giant salamander) for the pot, an animal almost as rare and mystical as the tanuki itself. Tenmaya is an entertaining trickster, but he has a habit of rubbing folks the wrong way. After a run-in with him on the way home, Yasaburou sneaks back to ask Ayameike about Tenmaya, and is told he emerged from a painting of Hell in which he’d been asked to paint the Buddha – having climbed a spider’s thread and escaped from Hell (and the painting).
It seems a safe bet Tenmaya is going to be one of the major MacGuffins of the season, especially in light of Yasaburou’s comment at the end of the ep about how the age of humans tricking tanuki has arrived. It’s not clear just who or what Tenmaya is, but if one chose to infer any foreshadowing based on the original “Spider’s Thread” story by Akutagawa Ryuunosuke, there’d certainly be ample fodder there. The best thing to do with Uchouten Kazoku, really, is just to embrace the strange wonder of it all and be gently carried along with it. There’s no experience in anime quite like it, and experiencing it again is a powerful reminder of just how much I’ve missed it.
Flower
April 16, 2017 at 11:09 pmAm happy to say that not only is season two clicking better thus far than season one did for me, but there is a springtime freshness in the series as well, which is always encouraging to feel. This is also working for me better than Sakura Quest, which is not bad per se, but for some reason has not been able to keep my interest either.
Guardian Enzo
April 16, 2017 at 11:39 pmI could say why I think that is, but really – I think everybody knows.
Couch Tomato
April 17, 2017 at 2:52 amI was just in Kyoto for a few days last week. Miss it already.
Earthlingzing
April 17, 2017 at 5:34 amI absolutely love Uchouten Kazoku.
K
April 17, 2017 at 9:10 amI love the part where the Tanuki was tricked. It is indeed an irony.
Ronbb
April 17, 2017 at 11:01 pmAm loving Yashiro more and more…he’s starting to have his own thoughts yet he’s still the innocent one…so adorable.
Guardian Enzo
April 17, 2017 at 11:27 pmYeah, me too. Unless the OP is trolling us he seems to be headed for a bigger role this season.
Litho
April 18, 2017 at 2:51 amThe Kyoto I experience is probably a lot different from most people’s. While you guys probably talk of shrines, museums and nature, I’m all about record stores, minimal house/techno and nightclubs – hence, my inability to relate* to this show’s tour-guide vibe. All I got from the first season was a poor family getting the short end of the stick every single bloody episode.
* I have never eaten raccoon either, so can’t relate on the food front either.
Rita
April 18, 2017 at 4:48 pmI was in Kyoto for a brief four days last spring and it was gorgeous. It’s definitely not all shrines and temples, as I was staying not too far from Gion and there’s plenty of big buildings and sprawling malls around there, but there’s certainly always that looming feeling of history around Kyoto. Even in the center of the big shopping districts, you’re never more than literally a few blocks away from some sort of shrine or old building.
Also, the Fushimi Inari shrine was pretty much the most amazing thing I’ve seen. I got there too late to climb the whole mountain but let me tell you, climbing through seemingly endless torii gates as the sky starts to get dark and the forest around you takes on that otherworldy feeling is one of the most surreal experiences I have ever had in my life. I legitimately would not have been surprised if I saw youkai coming out of there.
Path
April 21, 2017 at 9:35 amI legitimately had a big stupid grin on my face this entire episode; I loved every minute of it.